{"id":1257,"date":"2009-11-18T16:02:39","date_gmt":"2009-11-18T15:02:39","guid":{"rendered":"http:\/\/www.multimedialab.be\/blog\/?p=1257"},"modified":"2019-02-06T13:30:28","modified_gmt":"2019-02-06T12:30:28","slug":"chapter-i","status":"publish","type":"post","link":"http:\/\/www.multimedialab.be\/blog\/?p=1257","title":{"rendered":"Chapter I"},"content":{"rendered":"<p>Du 12 au 29 novembre, une installation \u00c3\u00a0 voir chez iMAL dans le cadre de Cimatics.<\/p>\n<p><img decoding=\"async\" id=\"image2000\" src=\"http:\/\/www.multimedialab.be\/blog\/wp-content\/uploads\/2009\/11\/imal_chapter_index.gif\" alt=\"Chapter I\" \/><\/p>\n<p><!--more--><\/p>\n<p>Chapter I nous emm\u00c3\u00a8ne \u00c3\u00a0 la d\u00c3\u00a9couverte d&rsquo;une entit\u00c3\u00a9 non identifi\u00c3\u00a9e, d&rsquo;un objet myst\u00c3\u00a9rieux \u00c3\u00a9mettant sons et lumi\u00c3\u00a8res. Sa surface lisse r\u00c3\u00a9fl\u00c3\u00a9chit parfaitement l&rsquo;environnement qui l&rsquo;entoure: est-ce une preuve de sa volont\u00c3\u00a9 d&rsquo;int\u00c3\u00a9gration ou un refus poli d&rsquo;absorber quoi que ce soit de notre monde? Sa forme est un solide platonique pur, un dod\u00c3\u00a9cah\u00c3\u00a8dre, g\u00c3\u00a9om\u00c3\u00a9trie que l&rsquo;on retrouve dans certaines th\u00c3\u00a9ories philosophiques ou \u00c3\u00a9sot\u00c3\u00a9riques et le symbolisme de science-fiction.<\/p>\n<p>Apr\u00c3\u00a8s avoir visionn\u00c3\u00a9 une s\u00c3\u00a9rie de vid\u00c3\u00a9os retra\u00c3\u00a7ant la d\u00c3\u00a9couverte de cet objet non identifi\u00c3\u00a9 dans divers lieux, nous nous retrouvons face \u00c3\u00a0 face avec le dod\u00c3\u00a9cah\u00c3\u00a8dre. L&rsquo;objet semble r\u00c3\u00a9pondre \u00c3\u00a0 notre pr\u00c3\u00a9sence comme s&rsquo;il voulait communiquer. Tente-t-il d&rsquo;engager un dialogue? Que signifie le code de son et de lumi\u00c3\u00a8re qu&rsquo;il \u00c3\u00a9met? Lorsqu&rsquo;on s&rsquo;en approche, les s\u00c3\u00a9quences lumineuses et sonores deviennent plus complexes comme un discours myst\u00c3\u00a9rieux \u00c3\u00a9manant d&rsquo;une intelligence. Est-il autonome, vivant? Existe-t-il? Que se passe-t-il si nous l&rsquo;entourons?<\/p>\n<p><img decoding=\"async\" id=\"image2001\" src=\"http:\/\/www.multimedialab.be\/blog\/wp-content\/uploads\/2009\/11\/imal_chapter.jpg\" alt=\"Chapter I\" \/><\/p>\n<p>Les comportements de cette entit\u00c3\u00a9 \u00c3\u00a9trange semblent \u00c3\u00aatre ceux d&rsquo;une forme d&rsquo;intelligence artificielle qui, avec la s\u00c3\u00a9rie de vid\u00c3\u00a9os vue pr\u00c3\u00a9c\u00c3\u00a9demment, interrogent la perception du visiteur sur la r\u00c3\u00a9alit\u00c3\u00a9 de ce qui est montr\u00c3\u00a9. Au-del\u00c3\u00a0 de la question de la v\u00c3\u00a9rit\u00c3\u00a9 de la repr\u00c3\u00a9sentation, l&rsquo;oeuvre aborde aussi des sentiments comme la peur irrationnelle de \u00ab\u00a0l&rsquo;autre\u00a0\u00bb, de l&rsquo;\u00c3\u00a9tranger ou du barbare, th\u00c3\u00a8mes r\u00c3\u00a9currents de la litt\u00c3\u00a9rature et du cin\u00c3\u00a9ma de science-fiction.<\/p>\n<p>L&rsquo;installation de F\u00c3\u00a9lix Luque op\u00c3\u00a9re formellement sur des registres narratifs, audiovisuels, informationnels et plastiques. Plut\u00c3\u00b4t que de r\u00c3\u00a9pondre \u00c3\u00a0 des questions telles que &#8211; Comment les progr\u00c3\u00a8s technologiques peuvent-ils \u00c3\u00aatre contr\u00c3\u00b4l\u00c3\u00a9s? Qui d\u00c3\u00a9cide de la mission ultime confi\u00c3\u00a9e aux machines? Les machines peuvent-elles nous d\u00c3\u00a9truire? &#8211; l&rsquo;installation reformule ces questions philosophiques en jouant avec les images d&rsquo;une culture populaire v\u00c3\u00a9hicul\u00c3\u00a9e dans la science-fiction et ces techno-utopies et mythes autour de l&rsquo;intelligence artificielle.<\/p>\n<p>F\u00c3\u00a9lix Luque S\u00c3\u00a1nchez (Oviedo 1976) est un artiste num\u00c3\u00a9rique bruxellois d&rsquo;origine espagnole.<\/p>\n<p>Chapter I: The Discovery a \u00c3\u00a9t\u00c3\u00a9 pr\u00c3\u00a9sent\u00c3\u00a9 \u00c3\u00a0 LABoral (Gijon, Espagne) cet \u00c3\u00a9t\u00c3\u00a9 2009 et est nomin\u00c3\u00a9 pour la Transmediale 2010 (Berlin).<\/p>\n<p><strong>Infos pratiques.<\/strong><br \/>\nChapter 1 &#8211; The Discovery, du 12 au 29 novembre 2009.<br \/>\nVernissage le 12 novembre, 18:00 &#8211; 23:30.<\/p>\n<p>Ouvert Mercredi > Dimanche: 13:00 &#8211; 19:00.<br \/>\nEntr\u00c3\u00a9e gratuite.<\/p>\n<p>iMAL, Center for digital cultures and technology :<br \/>\nKoolmijnenkaai 30 Quai des Charbonnages, 1080 Brussels<br \/>\n(metro Comte de Flandre \/ Graaf van Vlaanderen).<\/p>\n<p><a href=\"http:\/\/www.imal.org\">http:\/\/www.imal.org<\/a><\/p>\n<p><strong>Liens.<\/strong><br \/>\n<a href=\"http:\/\/www.imal.org\/Chapter1\/\">http:\/\/www.imal.org\/Chapter1\/<\/a><br \/>\n<a href=\"http:\/\/chapter1.othersounds.net\">http:\/\/chapter1.othersounds.net<\/a><br \/>\n<a href=\"http:\/\/www.cimatics.com\/festival2009\/program.php?id=19\">http:\/\/www.cimatics.com\/festival2009\/program.php?id=19<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Du 12 au 29 novembre, une installation \u00c3\u00a0 voir chez iMAL dans le cadre de Cimatics.<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[55,23,17,68,6,36],"tags":[],"class_list":["post-1257","post","type-post","status-publish","format-standard","hentry","category-erg-arts-numeriques","category-art","category-exposition","category-expo","category-installations","category-interactivite"],"_links":{"self":[{"href":"http:\/\/www.multimedialab.be\/blog\/index.php?rest_route=\/wp\/v2\/posts\/1257","targetHints":{"allow":["GET"]}}],"collection":[{"href":"http:\/\/www.multimedialab.be\/blog\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"http:\/\/www.multimedialab.be\/blog\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"http:\/\/www.multimedialab.be\/blog\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"http:\/\/www.multimedialab.be\/blog\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=1257"}],"version-history":[{"count":1,"href":"http:\/\/www.multimedialab.be\/blog\/index.php?rest_route=\/wp\/v2\/posts\/1257\/revisions"}],"predecessor-version":[{"id":3403,"href":"http:\/\/www.multimedialab.be\/blog\/index.php?rest_route=\/wp\/v2\/posts\/1257\/revisions\/3403"}],"wp:attachment":[{"href":"http:\/\/www.multimedialab.be\/blog\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=1257"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"http:\/\/www.multimedialab.be\/blog\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=1257"},{"taxonomy":"post_tag","embeddable":true,"href":"http:\/\/www.multimedialab.be\/blog\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=1257"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}