![\"Hitchcock\/Truffaut\"](\"http:\/\/www.multimedialab.be\/blog\/wp-content\/uploads\/2014\/12\/hitchcock_truffaut_index.jpg\")
<\/p>\nLa s\u00c3\u00a9rie d’entretiens in\u00c3\u00a9dits entre Hitchcock et Truffaut de 1962 est accessible en ligne.<\/p>\n
<\/p>\n
En 1962, Fran\u00c3\u00a7ois Truffaut se rend dans les bureaux d’Alfred Hitchcock aux Studios d’Universal aux Etats-Unis afin de discuter de sa carri\u00c3\u00a8re et de ses films. Comme il ne ma\u00c3\u00aetrise l’anglais que faiblement, il fait appel \u00c3\u00a0 Helen Scott de l’Institut du Film Fran\u00c3\u00a7ais de New York afin de jouer les interpr\u00c3\u00a8tes. <\/p>\n De ces entretiens, le cin\u00c3\u00a9aste fran\u00c3\u00a7ais tire un livre fantastique<\/a> qu’il publie en 1966, un classique r\u00c3\u00a9ellement d\u00c3\u00a9licieux pour tout cin\u00c3\u00a9phile. <\/p>\n La rencontre de ces deux personnalit\u00c3\u00a9s hors-normes est une mine d’informations, \u00c3\u00a0 la fois sur la grammaire cin\u00c3\u00a9matographique de Hitchcock et sur la passion d\u00c3\u00a9vorante de Fran\u00c3\u00a7ois Truffaut pour le cin\u00c3\u00a9ma (et bien-s\u00c3\u00bbr pour Hitchcock en particulier).<\/p>\n Ces entretiens audio sont disponibles sous la licence Creative Commons license \u00ab\u00a0Attribution-Noncommercial-No Derivative Works 3.0<\/a>\u00ab\u00a0.<\/p>\n Lien vers les fichiers audio :<\/p>\n Transcriptions de certaines parties des entretiens disponibles ici :<\/p>\n Autres players accessibles ici :<\/p>\n Ressources Fran\u00c3\u00a7ois Truffaut.<\/strong><\/p>\n \nExposition Fran\u00c3\u00a7ois Truffaut.<\/strong> Lien : <\/p>\n \nTruffaut par Truffaut.<\/strong> Lien : <\/p>\n Voici la liste des 25 fichiers.<\/p>\n Fran\u00c3\u00a7ois Truffaut & Alfred Hitchcock 01. Childhood through to his early years in the film industry La s\u00c3\u00a9rie d’entretiens in\u00c3\u00a9dits entre Hitchcock et Truffaut de 1962 est accessible en ligne.<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[60,58,37,18],"tags":[],"class_list":["post-1463","post","type-post","status-publish","format-standard","hentry","category-anglais","category-cinema","category-documents-sonores","category-son"],"_links":{"self":[{"href":"http:\/\/www.multimedialab.be\/blog\/index.php?rest_route=\/wp\/v2\/posts\/1463","targetHints":{"allow":["GET"]}}],"collection":[{"href":"http:\/\/www.multimedialab.be\/blog\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"http:\/\/www.multimedialab.be\/blog\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"http:\/\/www.multimedialab.be\/blog\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"http:\/\/www.multimedialab.be\/blog\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=1463"}],"version-history":[{"count":0,"href":"http:\/\/www.multimedialab.be\/blog\/index.php?rest_route=\/wp\/v2\/posts\/1463\/revisions"}],"wp:attachment":[{"href":"http:\/\/www.multimedialab.be\/blog\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=1463"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"http:\/\/www.multimedialab.be\/blog\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=1463"},{"taxonomy":"post_tag","embeddable":true,"href":"http:\/\/www.multimedialab.be\/blog\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=1463"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}
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\nThe Hitchcock and Truffaut Tapes.<\/strong><\/p>\n![\"Hitchcock\/Truffaut\"\/](\"http:\/\/www.multimedialab.be\/blog\/wp-content\/uploads\/2014\/12\/truffaut_hitchcock_scott.jpg\")
<\/p>\n![\"Hitchcock\/Truffaut\"\/](\"http:\/\/www.multimedialab.be\/blog\/wp-content\/uploads\/2014\/12\/hitchcock_truffaut_book.jpg\")
<\/p>\n![\"Grey](\"http:\/\/www.multimedialab.be\/blog\/wp-content\/uploads\/2012\/09\/pixel_gris.gif\"){kind=tracking}
<\/p>\n<\/p>\n<\/p>\n
\n\u00c3\u20ac l’occasion du trenti\u00c3\u00a8me anniversaire de sa disparition, La Cin\u00c3\u00a9math\u00c3\u00a8que fran\u00c3\u00a7aise lui consacre une grande exposition con\u00c3\u00a7ue \u00c3\u00a0 partir des archives de Fran\u00c3\u00a7ois Truffaut d\u00c3\u00a9pos\u00c3\u00a9es \u00c3\u00a0 la Cin\u00c3\u00a9math\u00c3\u00a8que par sa famille. Du 8 octobre 2014 au 1er f\u00c3\u00a9vrier 2015.<\/p>\n
\n\u00ab\u00a0Truffaut par Truffaut\u00a0\u00bb est un site web en forme de journal intime, \u00c3\u00a9crit \u00c3\u00a0 la premi\u00c3\u00a8re personne. Soit 14 chapitres compilant la pens\u00c3\u00a9e de l\u00e2\u20ac\u2122artiste. 14 chapitres comme autant de bornes dans la vie et la carri\u00c3\u00a8re de Fran\u00c3\u00a7ois Truffaut, et qui r\u00c3\u00a9v\u00c3\u00a8lent l’importance de ses archives dans les collections de la Cin\u00c3\u00a9math\u00c3\u00a8que fran\u00c3\u00a7aise.<\/p>\n
\nThe Hitchcock and Truffaut Tapes<\/p>\n
\n02. \u00ab\u00a0Mountain Eagle\u00a0\u00bb through to the end of the silent era
\n03. \u00ab\u00a0Blackmail\u00a0\u00bb through to a discussion about American audiences
\n04. \u00ab\u00a0Rich and Strange\u00a0\u00bb through to realism in films
\n05. \u00ab\u00a0The 39 Steps\u00a0\u00bb through to plausibility in film and film critics
\n06. \u00ab\u00a0Secret Agent\u00a0\u00bb and \u00ab\u00a0Sabotage\u00a0\u00bb
\n07. \u00ab\u00a0Young and Innocent\u00a0\u00bb and \u00ab\u00a0The Lady Vanishes\u00a0\u00bb
\n08. Final years in Britain through to his move to America
\n09. \u00ab\u00a0Rebecca\u00a0\u00bb
\n10. Discussion about Hollywood through to \u00ab\u00a0Notorious\u00a0\u00bb
\n11. \u00ab\u00a0Mr and Mrs Smith\u00a0\u00bb through to \u00ab\u00a0Suspicion\u00a0\u00bb
\n12. \u00ab\u00a0Saboteur\u00a0\u00bb through to \u00ab\u00a0Shadow of a Doubt\u00a0\u00bb
\n13. \u00ab\u00a0Lifeboat\u00a0\u00bb through to \u00ab\u00a0Spellbound\u00a0\u00bb
\n14. \u00ab\u00a0Notorious\u00a0\u00bb through to \u00ab\u00a0The Paradine Case\u00a0\u00bb
\n15. \u00ab\u00a0Rope\u00a0\u00bb
\n16. \u00ab\u00a0Rope\u00a0\u00bb and \u00ab\u00a0Under Capricorn\u00a0\u00bb
\n17. \u00ab\u00a0Stage Fright\u00a0\u00bb through to \u00ab\u00a0Strangers on a Train\u00a0\u00bb
\n18. \u00ab\u00a0Strangers on a Train\u00a0\u00bb through to \u00ab\u00a0I Confess\u00a0\u00bb
\n19. \u00ab\u00a0Notorious\u00a0\u00bb through to a discussion about suspense
\n20. Initial discussion about the \u00ab\u00a0The Birds\u00a0\u00bb through to \u00ab\u00a0Rear Window\u00a0\u00bb
\n21. \u00ab\u00a0The Wrong Man\u00a0\u00bb through to \u00ab\u00a0Vertigo\u00a0\u00bb
\n22. \u00ab\u00a0North by Northwest\u00a0\u00bb through to \u00ab\u00a0Psycho\u00a0\u00bb
\n23. \u00ab\u00a0Psycho\u00a0\u00bb
\n24. \u00ab\u00a0The Birds\u00a0\u00bb
\n25. \u00ab\u00a0Psycho\u00a0\u00bb through to characterisation in films<\/p>\n","protected":false},"excerpt":{"rendered":"