{"id":2206,"date":"2016-07-16T15:11:29","date_gmt":"2016-07-16T14:11:29","guid":{"rendered":"http:\/\/www.multimedialab.be\/blog\/?p=2206"},"modified":"2016-09-11T15:18:22","modified_gmt":"2016-09-11T14:18:22","slug":"le-son-comme-arme","status":"publish","type":"post","link":"http:\/\/www.multimedialab.be\/blog\/?p=2206","title":{"rendered":"Le son comme arme"},"content":{"rendered":"<p>De et par Juliette Volcler (adaptation radiophonique de David Christoffel).<\/p>\n<p><img decoding=\"async\" id=\"image8400\" src=\"http:\/\/www.multimedialab.be\/blog\/wp-content\/uploads\/2016\/07\/juliette_volcler_index.jpg\" alt=\"Le son comme arme\" \/><\/p>\n<p><!--more--><\/p>\n<p><em>Le son comme arme<\/em>, de et par Juliette Volcler (adaptation radiophonique de David Christoffel), \u00c3\u00a9mission publi\u00c3\u00a9e par \u00ab\u00a0La Radio Parfaite\u00a0\u00bb, webradio \u00c3\u00a0 l&rsquo;occasion du Printemps des Arts \u00c3\u00a0 Monaco, mars-avril 2016.<\/p>\n<p><img loading=\"lazy\" decoding=\"async\" id=\"image2451\" src=\"http:\/\/www.multimedialab.be\/blog\/wp-content\/uploads\/2012\/09\/pixel_gris.gif\" alt=\"Grey line\" width=\"482\" height=\"1\" \/><\/p>\n<p><iframe loading=\"lazy\" width=\"100%\" height=\"166\" scrolling=\"no\" frameborder=\"no\" src=\"https:\/\/w.soundcloud.com\/player\/?url=https%3A\/\/api.soundcloud.com\/tracks\/257987689&amp;color=ff5500&amp;auto_play=false&amp;hide_related=false&amp;show_comments=true&amp;show_user=true&amp;show_reposts=false\"><\/iframe><\/p>\n<p><img loading=\"lazy\" decoding=\"async\" id=\"image2451\" src=\"http:\/\/www.multimedialab.be\/blog\/wp-content\/uploads\/2012\/09\/pixel_gris.gif\" alt=\"Grey line\" width=\"482\" height=\"1\" \/><\/p>\n<p>\u00ab\u00a0Lalafalloujah\u00a0\u00bb, tel est le surnom donn\u00c3\u00a9 par les GI\u00e2\u20ac\u2122s \u00c3\u00a0 la ville irakienne de Falloujah en 2004, alors qu\u00e2\u20ac\u2122ils bombardaient ses rues de hard rock \u00c3\u00a0 plein volume. \u00c2\u00ab C\u00e2\u20ac\u2122\u00c3\u00a9tait comme envoyer un fumig\u00c3\u00a8ne \u00c2\u00bb, dira un porte-parole de l\u00e2\u20ac\u2122arm\u00c3\u00a9e \u00c3\u00a9tats-unienne. <\/p>\n<p>Les ann\u00c3\u00a9es 2000 ont en effet vu se d\u00c3\u00a9velopper un usage r\u00c3\u00a9pressif du son, symptomatique de la porosit\u00c3\u00a9 entre l\u00e2\u20ac\u2122industrie militaire et celle du divertissement, sur les champs de bataille et bien au-del\u00c3\u00a0. Rap, metal et m\u00c3\u00aame chansons pour enfants deviennent des instruments de torture contre des terroristes pr\u00c3\u00a9sum\u00c3\u00a9s. Des alarmes directionnelles servent de technologies \u00c2\u00ab non l\u00c3\u00a9tales \u00c2\u00bb de contr\u00c3\u00b4le des foules dans la bande de Gaza comme lors des contre-sommets du G20, \u00c3\u00a0 Toronto et \u00c3\u00a0 Pittsburgh. Des r\u00c3\u00a9pulsifs sonores \u00c3\u00a9loignent des centres-villes et des zones marchandes les ind\u00c3\u00a9sirables, adolescents ou clochards. <\/p>\n<p>L\u00e2\u20ac\u2122enr\u00c3\u00b4lement du son dans la guerre et le maintien de l\u00e2\u20ac\u2122ordre s\u00e2\u20ac\u2122appuie sur plus d\u00e2\u20ac\u2122un demi-si\u00c3\u00a8cle de recherches militaires et scientifiques. La g\u00c3\u00a9n\u00c3\u00a9alogie des armes acoustiques, propos\u00c3\u00a9e ici pour la premi\u00c3\u00a8re fois en fran\u00c3\u00a7ais, est tout autant celle des \u00c3\u00a9checs, des fantasmes et des projets avort\u00c3\u00a9s, que celle des dispositifs bien r\u00c3\u00a9els qui en ont \u00c3\u00a9merg\u00c3\u00a9. Aujourd\u00e2\u20ac\u2122hui, l\u00e2\u20ac\u2122espace sonore est somm\u00c3\u00a9 de se plier \u00c3\u00a0 la raison s\u00c3\u00a9curitaire et commerciale. Souvent rel\u00c3\u00a9gu\u00c3\u00a9 au second plan au cours du XXe si\u00c3\u00a8cle, celui de l\u00e2\u20ac\u2122image, il est devenu l\u00e2\u20ac\u2122un des terrains d\u00e2\u20ac\u2122exp\u00c3\u00a9rimentation privil\u00c3\u00a9gi\u00c3\u00a9s de nouvelles formes de domination et d\u00e2\u20ac\u2122exclusion. Et appelle donc de nouvelles r\u00c3\u00a9sistances.<\/p>\n<p><em>Le son comme arme &#8211; Les usages policiers et militaires du son<br \/>\nJuliette Volcler, La D\u00c3\u00a9couverte, 2011.<\/em><\/p>\n<p><img loading=\"lazy\" decoding=\"async\" id=\"image2451\" src=\"http:\/\/www.multimedialab.be\/blog\/wp-content\/uploads\/2012\/09\/pixel_gris.gif\" alt=\"Grey line\" width=\"482\" height=\"1\" \/><\/p>\n<p><img decoding=\"async\" id=\"image8401\" src=\"http:\/\/www.multimedialab.be\/blog\/wp-content\/uploads\/2016\/07\/juliette_volcler_cover.jpg\" alt=\"Le son comme arme\" \/><\/p>\n<p><img loading=\"lazy\" decoding=\"async\" id=\"image2451\" src=\"http:\/\/www.multimedialab.be\/blog\/wp-content\/uploads\/2012\/09\/pixel_gris.gif\" alt=\"Grey line\" width=\"482\" height=\"1\" \/><\/p>\n<p><em>Cours de cr\u00c3\u00a9ation sonore<br \/>\nESA LE 75, 2016-2017.<br \/>\nProfesseur : Marc Wathieu.<\/em><\/p>\n<p><img loading=\"lazy\" decoding=\"async\" id=\"image2451\" src=\"http:\/\/www.multimedialab.be\/blog\/wp-content\/uploads\/2012\/09\/pixel_gris.gif\" alt=\"Grey line\" width=\"482\" height=\"1\" \/><\/p>\n","protected":false},"excerpt":{"rendered":"<p>De et par Juliette Volcler (adaptation radiophonique de David Christoffel).<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[37,13,18],"tags":[],"class_list":["post-2206","post","type-post","status-publish","format-standard","hentry","category-documents-sonores","category-livres","category-son"],"_links":{"self":[{"href":"http:\/\/www.multimedialab.be\/blog\/index.php?rest_route=\/wp\/v2\/posts\/2206","targetHints":{"allow":["GET"]}}],"collection":[{"href":"http:\/\/www.multimedialab.be\/blog\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"http:\/\/www.multimedialab.be\/blog\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"http:\/\/www.multimedialab.be\/blog\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"http:\/\/www.multimedialab.be\/blog\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=2206"}],"version-history":[{"count":0,"href":"http:\/\/www.multimedialab.be\/blog\/index.php?rest_route=\/wp\/v2\/posts\/2206\/revisions"}],"wp:attachment":[{"href":"http:\/\/www.multimedialab.be\/blog\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=2206"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"http:\/\/www.multimedialab.be\/blog\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=2206"},{"taxonomy":"post_tag","embeddable":true,"href":"http:\/\/www.multimedialab.be\/blog\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=2206"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}