{"id":4389,"date":"2019-11-15T18:22:38","date_gmt":"2019-11-15T17:22:38","guid":{"rendered":"http:\/\/www.multimedialab.be\/blog\/?p=4389"},"modified":"2019-11-19T05:43:06","modified_gmt":"2019-11-19T04:43:06","slug":"cinema-et-dechets-electroniques","status":"publish","type":"post","link":"http:\/\/www.multimedialab.be\/blog\/?p=4389","title":{"rendered":"Cin\u00c3\u00a9ma et d\u00c3\u00a9chets (\u00c3\u00a9lectroniques)"},"content":{"rendered":"<p>Quelques s\u00c3\u00a9quences c\u00c3\u00a9l\u00c3\u00a8bres.<\/p>\n<p><img decoding=\"async\" src=\"http:\/\/www.multimedialab.be\/blog\/wp-content\/uploads\/2019\/11\/index_blade_runner.jpg\" alt=\"Cin\u00c3\u00a9ma et d\u00c3\u00a9chets \u00c3\u00a9lectroniques\" \/><\/p>\n<p><!--more--><\/p>\n<p><strong>Akira Kurosawa : Dodes&rsquo;kaden (1970)<\/strong><\/p>\n<p>Rokuchan, un jeune garc\u00cc\u00a7on se prenant pour un conducteur de tramway, parcourt la d\u00c3\u00a9charge au rythme de l&rsquo;onomatope\u00cc\u0081e \u00e2\u20ac\u0153Dodes&rsquo;kaden\u00e2\u20ac\u0153, scand\u00c3\u00a9e pour imiter le son produit par son tram.<\/p>\n<p><iframe loading=\"lazy\" src=\"https:\/\/player.vimeo.com\/video\/374074772?title=0&#038;byline=0&#038;portrait=0\" width=\"482\" height=\"355\" frameborder=\"0\" allow=\"autoplay; fullscreen\" allowfullscreen><\/iframe><\/p>\n<p><a href=\"https:\/\/vimeo.com\/374074772\">Akira Kurosawa : Dodes&#039;kaden (1970) excerpt<\/a> from <a href=\"https:\/\/vimeo.com\/marcwathieu\">Marc Wathieu<\/a> on <a href=\"https:\/\/vimeo.com\">Vimeo<\/a>.<\/p>\n<p><img loading=\"lazy\" decoding=\"async\" id=\"image2451\" src=\"http:\/\/www.multimedialab.be\/blog\/wp-content\/uploads\/2012\/09\/pixel_gris.gif\" alt=\"Grey line\" width=\"482\" height=\"1\" \/><\/p>\n<p><strong>Denis Villeneuve : Blade Runner 2049 (2017)<\/strong><\/p>\n<p>K, l&rsquo;un des plus r\u00c3\u00a9cents mod\u00c3\u00a8les de r\u00c3\u00a9plicants, travaille comme \u00e2\u20ac\u0153Blade runner\u00e2\u20ac\u0153 \u00c3\u00a0 la police de Los Angeles. Il se rend \u00c3\u00a0 la d\u00c3\u00a9charge de San Diego o\u00c3\u00b9 des orphelins sont exploit\u00c3\u00a9s ill\u00c3\u00a9galement \u00c3\u00a0 trier des d\u00c3\u00a9chets \u00c3\u00a9lectroniques. <\/p>\n<p><iframe loading=\"lazy\" src=\"https:\/\/player.vimeo.com\/video\/373368663?title=0&#038;byline=0&#038;portrait=0\" width=\"482\" height=\"201\" frameborder=\"0\" allow=\"autoplay; fullscreen\" allowfullscreen><\/iframe><\/p>\n<p><a href=\"https:\/\/vimeo.com\/373368663\">Denis Villeneuve : Blade Runner 2049 (2017) excerpt<\/a> from <a href=\"https:\/\/vimeo.com\/marcwathieu\">Marc Wathieu<\/a> on <a href=\"https:\/\/vimeo.com\">Vimeo<\/a>.<\/p>\n<p><img loading=\"lazy\" decoding=\"async\" id=\"image2451\" src=\"http:\/\/www.multimedialab.be\/blog\/wp-content\/uploads\/2012\/09\/pixel_gris.gif\" alt=\"Grey line\" width=\"482\" height=\"1\" \/><\/p>\n<p><strong>Andrew Stanton : WALL-E (2008)<\/strong><\/p>\n<p>Sept cents ans apr\u00c3\u00a8s l&rsquo;exode humain dans l&rsquo;espace, le dernier survivant des petits robots Wall-E (Waste Allocation Load Lifter-Earthclass, fonctionnant \u00c3\u00a0 l\u00e2\u20ac\u2122\u00c3\u00a9nergie solaire) d\u00c3\u00a9ambule dans les ruines sinistres d&rsquo;une grande ville abandonn\u00c3\u00a9e.<\/p>\n<p><iframe loading=\"lazy\" src=\"https:\/\/player.vimeo.com\/video\/373372648?title=0&#038;byline=0&#038;portrait=0\" width=\"482\" height=\"199\" frameborder=\"0\" allow=\"autoplay; fullscreen\" allowfullscreen><\/iframe><\/p>\n<p><a href=\"https:\/\/vimeo.com\/373372648\">Andrew Stanton : WALL-E (2008) excerpt<\/a> from <a href=\"https:\/\/vimeo.com\/marcwathieu\">Marc Wathieu<\/a> on <a href=\"https:\/\/vimeo.com\">Vimeo<\/a>.<\/p>\n<p><img loading=\"lazy\" decoding=\"async\" id=\"image2451\" src=\"http:\/\/www.multimedialab.be\/blog\/wp-content\/uploads\/2012\/09\/pixel_gris.gif\" alt=\"Grey line\" width=\"482\" height=\"1\" \/><\/p>\n<p><strong>Steven Spielberg: A.I. (2001)<\/strong><\/p>\n<p>David et son petit ours Teddy arrivent dans une d\u00c3\u00a9charge de d\u00c3\u00a9chets \u00c3\u00a9lectroniques o\u00c3\u00b9 les robots (\u00e2\u20ac\u0153m\u00c3\u00a9chas\u00e2\u20ac\u0153) tentent de retrouver les pi\u00c3\u00a8ces qui leur manquent.<\/p>\n<p><iframe loading=\"lazy\" src=\"https:\/\/player.vimeo.com\/video\/367667690?title=0&#038;byline=0&#038;portrait=0\" width=\"482\" height=\"272\" frameborder=\"0\" allow=\"autoplay; fullscreen\" allowfullscreen><\/iframe><\/p>\n<p><a href=\"https:\/\/vimeo.com\/367667690\">La d&eacute;charge &agrave; &ldquo;M&eacute;chas&ldquo;<\/a> from <a href=\"https:\/\/vimeo.com\/marcwathieu\">Marc Wathieu<\/a> on <a href=\"https:\/\/vimeo.com\">Vimeo<\/a>.<\/p>\n<p><img loading=\"lazy\" decoding=\"async\" id=\"image2451\" src=\"http:\/\/www.multimedialab.be\/blog\/wp-content\/uploads\/2012\/09\/pixel_gris.gif\" alt=\"Grey line\" width=\"482\" height=\"1\" \/><\/p>\n<p><strong>DEUX FAMEUX FILMS DOCUMENTAIRES DE COSIMA DANNORITZER<\/strong><\/p>\n<p><em><strong>La trag\u00c3\u00a9die \u00c3\u00a9lectronique (Cosima Dannoritzer, 2014)<\/strong><\/em><br \/>\nPourquoi les trois quarts des d\u00c3\u00a9chets \u00c3\u00a9lectroniques europ\u00c3\u00a9ens \u00c3\u00a9chappent-ils au recyclage pour finir dans des d\u00c3\u00a9charges en toute ill\u00c3\u00a9galit\u00c3\u00a9 ? Une enqu\u00c3\u00aate limpide et efficace.<\/p>\n<p><em><strong>Pr\u00c3\u00aat \u00c3\u00a0 jeter (Cosima Dannoritzer, 2009)<\/strong><\/em><br \/>\nUn historique de cette strat\u00c3\u00a9gie commerciale et industrielle visant \u00c3\u00a0 limiter la dur\u00c3\u00a9e de vie de certains produits ou appareils est relat\u00c3\u00a9 \u00c3\u00a0 travers plusieurs exemples particuli\u00c3\u00a8rement significatifs.<br \/>\n\u00e2\u2020\u2019 <a href=\"https:\/\/fr.wikipedia.org\/wiki\/Pr%C3%AAt_%C3%A0_jeter\" rel=\"noopener\" target=\"_blank\">https:\/\/fr.wikipedia.org\/wiki\/Pr%C3%AAt_%C3%A0_jeter<\/a><br \/>\n\u00e2\u2020\u2019 <a href=\"https:\/\/www.youtube.com\/watch?v=Y_fHAIfoqcQ\" rel=\"noopener\" target=\"_blank\">https:\/\/www.youtube.com\/watch?v=Y_fHAIfoqcQ<\/a><\/p>\n<p><img loading=\"lazy\" decoding=\"async\" id=\"image2451\" src=\"http:\/\/www.multimedialab.be\/blog\/wp-content\/uploads\/2012\/09\/pixel_gris.gif\" alt=\"Grey line\" width=\"482\" height=\"1\" \/><\/p>\n<p>UN REPORTAGE \u00c3\u2030DIFIANT<\/p>\n<p><em><strong>D\u00c3\u00a9chets \u00c3\u00a9lectroniques, le grand d\u00c3\u00a9tournement<\/strong><\/em><br \/>\nUn documentaire de Coraline Salvoch &#038; Alain Pirot diffus\u00c3\u00a9 dans le magazine \u00e2\u20ac\u0153Le monde en face\u00e2\u20ac\u0153 (France 5).<br \/>\nVoir ici : <a href=\"http:\/\/www.multimedialab.be\/blog\/?p=4157\" rel=\"noopener\" target=\"_blank\">http:\/\/www.multimedialab.be\/blog\/?p=4157<\/a><\/p>\n<p><img loading=\"lazy\" decoding=\"async\" id=\"image2451\" src=\"http:\/\/www.multimedialab.be\/blog\/wp-content\/uploads\/2012\/09\/pixel_gris.gif\" alt=\"Grey line\" width=\"482\" height=\"1\" \/><\/p>\n<p><strong>POUR ALLER PLUS LOIN<\/strong><\/p>\n<p>\u00e2\u2014\u008f [Wikipedia] D\u00c3\u00a9chets d&rsquo;\u00c3\u00a9quipements \u00c3\u00a9lectriques et \u00c3\u00a9lectroniques<br \/>\n\u00e2\u2020\u2019 <a href=\"https:\/\/fr.wikipedia.org\/wiki\/D\u00c3\u00a9chets_d%27\u00c3\u00a9quipements_\u00c3\u00a9lectriques_et_\u00c3\u00a9lectroniques\" rel=\"noopener\" target=\"_blank\">https:\/\/fr.wikipedia.org\/wiki\/D\u00c3\u00a9chets_d%27\u00c3\u00a9quipements_\u00c3\u00a9lectriques_et_\u00c3\u00a9lectroniques<\/a><\/p>\n<p><img loading=\"lazy\" decoding=\"async\" id=\"image2451\" src=\"http:\/\/www.multimedialab.be\/blog\/wp-content\/uploads\/2012\/09\/pixel_gris.gif\" alt=\"Grey line\" width=\"482\" height=\"1\" \/><\/p>\n<p><em>Cours &lsquo;Arts num\u00c3\u00a9riques &#8211; Atelier&rsquo;, P\u00c3\u00b4le Art, Erg (\u00c3\u2030cole de Recherche Graphique) 2019-2020.<br \/>\nProfesseur : Marc Wathieu. <\/em><\/p>\n<p><img loading=\"lazy\" decoding=\"async\" id=\"image2451\" src=\"http:\/\/www.multimedialab.be\/blog\/wp-content\/uploads\/2012\/09\/pixel_gris.gif\" alt=\"Grey line\" width=\"482\" height=\"1\" \/><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Quelques s\u00c3\u00a9quences c\u00c3\u00a9l\u00c3\u00a8bres.<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[72,15],"tags":[],"class_list":["post-4389","post","type-post","status-publish","format-standard","hentry","category-anthropocene","category-film"],"_links":{"self":[{"href":"http:\/\/www.multimedialab.be\/blog\/index.php?rest_route=\/wp\/v2\/posts\/4389","targetHints":{"allow":["GET"]}}],"collection":[{"href":"http:\/\/www.multimedialab.be\/blog\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"http:\/\/www.multimedialab.be\/blog\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"http:\/\/www.multimedialab.be\/blog\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"http:\/\/www.multimedialab.be\/blog\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=4389"}],"version-history":[{"count":12,"href":"http:\/\/www.multimedialab.be\/blog\/index.php?rest_route=\/wp\/v2\/posts\/4389\/revisions"}],"predecessor-version":[{"id":4396,"href":"http:\/\/www.multimedialab.be\/blog\/index.php?rest_route=\/wp\/v2\/posts\/4389\/revisions\/4396"}],"wp:attachment":[{"href":"http:\/\/www.multimedialab.be\/blog\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=4389"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"http:\/\/www.multimedialab.be\/blog\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=4389"},{"taxonomy":"post_tag","embeddable":true,"href":"http:\/\/www.multimedialab.be\/blog\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=4389"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}